Hoketus Andriessen
- Michael andriessen
- Workers union andriessen
- Andriessen composer
- Hoketus andriessen workers
- Louis andriessen composer
Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don't have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i. e., you may not print or digitally distribute individual copies to friends or students). Detailed Description Buy Together 4, 99 € 9, 95 € AddtoCart Digital 19747510 Customers Who Bought Maroon 5 - Girls like you (easy piano sheet) Also Bought: Watch Look Maroon 5 - Girls like you (easy piano sheet) * = required How do you rate this item? Your Screen Name: (optional) This name will appear next to your review. Leave it blank if you wish to appear as "Anonymous". Review Title: Review of the Product: Rate this product's difficulty level: Location: (optional) Example: "Emeryville, CA" Email address: (optional) Used to contact you regarding your review.
Michael andriessen
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Reviewed in the United States on May 15, 2000 This disc offers two very similar yet dissimilar pieces. Mausoleum is a piece akin to Andriessen's De Materie, De Staat etc. A broad 30 minute piece with use of his traditional ensemble. This piece is very aggressive, and the use of the two high baritones is really interesting. He uses voices as an instrument better than anyone I know. The piece frequently uses one of Andriessen's most unique techniques: Hocket. Which is the subject of Hocketus, which while not quite as musically attractive as Mausoleum, offers a view into master hocket technique, both compostionally and the way it is performed. For anyone into Andriessen, I'd be hard pressed to give you a reason not to buy this disc.
Workers union andriessen
Very strong piece, and an indispensable CD in the collection of the Andriessen follower. Note (and thanks again Discogs) that Donemus had published on LP (in 1986, judging from the label number) a previous recording of the same piece, CV 8601, with the Netherlands Wind Ensemble under Lucas Vis (recorded live 17 June 1979), paired with Andriessen's De Snelheid / Velocity (same performers, live 6 June 1984), to the best of my knowledge none reissued to CD. TT 57:31. The disc must have been reissued a number of times, it is listed under three different barcodes: 034065902023 (this entry), 8713309100204 or 656345900200 (the two latter not listed here, but they are on the European Amazons). The first two are customary barcodes from Donemus; only the last one seems to be a one-off (I've found other Donemus publications starting with barcode 65634500 or 65634598 or 65634599, but none other with 65634590). But it's not just some distributor's barcode, it is the barcode on my own copy. The CD will be listed on commercial websites under either one of these barcodes.
Andriessen composer
Al interior de las mismas comunidades indígenas ya existe un estigma muy fuerte contra los homosexuales, que no encuentran cobijo ni en sus comunidades indígenas ni en la sociedad general, y terminan totalmente marginados, prosigue Solís. La palabra para marica en aymara (lengua indígena de Bolivia) es "k'eusa" y Edgar Solís deja entender que la mejor traducción sería "marica". La palabra "marica", según el diccionario de la Real Academia, proviene de "María" y viene a ser su diminutivo. Recordemos que en español existe el diminutivo con "c", como en "zapatico" y "maletica". Pues bien, seguramente por ser un nombre común de mujer se aplicó con el diminutivo a los hombres que exhiben características femeninas. El diminutivo le da el sentido peyorativo. En la base de datos histórica de la Real Academia, la primera documentación clara de la palabra en el sentido despectivo de "afeminado" aparece en 1599 en la novela picaresca Guzmán de Alfarache de Mateo Alemán: "Como entienden que no los conocen, piensan que en engomándose el bigote y arrojando cuatro plumas han alcanzado la nobleza y valentía, siendo unos infames gallinas, pues no pelean plumas ni bigotes, sino corazones y hombres.
Five performers from then remain on the present version, one percussionist (Paul Koek), the two bass guitarists and pianists Cees van Zeeland and Gerard Bouwhuis. Andriessen is associated to minimalism but the picture is more complex than that. Although it uses some repetitive and hoqueting processes, Mausoleum (written in 1979 ad revised in 1981) is not really a repetitive/minimalist composition. Harmonically it is much more complex and rich than the trite and sentimental harmonic progressions often favored by the American minimalists. For 22 minutes (out of 34, in one track) it unfolds big imposing brassy pillars of sound, sounding very like Messiaen at times, very "primeval" always, announcing the big "blue columns" of De Tijd (Time), completed in 1981. Along the way the two high baritones sing vehementely about the anarchist Bakunin, in a language that is not comprehensible but appears to be Russian (texts not provided). It then recedes to a softer, quasi hymnal progression of the same material, rising again in a slow and implacable crescendo concluded by a new call from the baritones.
Hoketus andriessen workers
Louis andriessen composer
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Top reviews from the United States There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on October 30, 2016 The two works gathered here were seminal in the development of Louis Andriessen and in the influence he had on the Dutch music scene. Hoquetus was completed in 1977 and, in a time of still dominating serial avant-garde, that's when and how repetitive minimalism made its breakthrough in the Netherlands. Scored for two groups of five instrumentalists (Andriessen leaves a degree of freedom in the lineup; here pan flutes, alto and tenor sax, Fender pianos, pianos and congas), it is based on hoquet effects, each group playing the same thing but staggered, and it sounds like repetitive pop music, exciting to the point of being high-strung and leaving the listener somewhat breathless.
CONTRAINDICACIONES: Su uso está contraindicado en pacientes con hipersensibilidad a la fórmula, embarazo, lactancia y menores de 9 años. PRECAUCIONES GENERALES: Se han presentado algunas situaciones que pueden variar desde debilidad del músculo hasta prolongada y profunda parálisis de músculo esquelético resultando en insuficiencia respiratoria o apnea. La administración de barbituratos, agonistas opiáceos, óxido nitroso o droperidol, parecen tener pequeños efectos en la duración del bloqueo neuromuscular inducido por BROMURO DE VECURONIO. Se debe tener cuidado en pacientes que son hipersensibles al BROMURO DE VECURONIO, por lo que se debe de administrar con precaución. PRECAUCIONES O RESTRICCIONES DE USO DURANTE EL EMBARAZO Y LA LACTANCIA: No se han realizado estudios en reproducción animal, por lo que no se conoce si puede causar daño fetal o alteraciones en la reproducción. Su administración durante el embarazo o la lactancia queda bajo la responsabilidad del médico que debe evaluar el riesgo-beneficio.